The Lynx Tree

The Lynx Tree

1.
Stonemason:
Traditional Stone Carver. To make a good work of art, it helps to be a good artisan.
2.
Stonemasons Tools:
I improved the age old traditional Stonemasons Hammer by inventing a
Spherical Mace Mallet.
3.
Supplier of Tungsten Tipped, Stonemasons Tools:
These are difficult to get hold of in West-Cornwall. I am able to supply them at a good price, sourced from a German company.
4.
Tungsten Tipped Tools:
Ever since the late 1920 these Powder Metal Tipped Chisels are used to carve hard stones like Cornish Granite, (Porphyry), that are harder, than Moh's Hardness 4.
5.
Hard Rock Carving:
Carving Sculptures out of stone harder than Moh's Hardness 4.
6.
Mace Hammer:
I invented a Spherical Mace Hammer for Hard Rock Carving, with which you cannot hurt your hand, when slipping of the chisel, whilst Stone Carving.
7.
Cornish Granite.
Mineralogicaly named Porphyry,  Chemically a mixture of Quartz, Feldspar and Mica, Cornish Granite has a large crystalline consistency, that can be difficult, to carve it, as it has the tendency, to splinter along the orientation of these crystals. Its hardness and carve ability varies greatly from Quarry to Quarry.
8.
Carved Cornish Granite:
Even though Cornish Granite was used for building ornaments, and even the Embankment along the River Thames in London, it is not rated highly as a Fine Art Carving Material, making me one of the few modern artists, that use it, as their carving material of choice.
9.
Wood Carving:
I also carve wood, in particular oak or other hard woods. Preferably using Axes and Adzes rather than wood chisels.
10.
Pottery:
Having worked for 3 1/2 Years in a Pottery in Germany. I manly make coiled Potts and other Pottery items like Replica Stone Age Drums.
11.
Stone Age Ceramic Drums.
Pottery was used since Stone Age times, to make drums. Modern Ceramic drums are frequently imported from North Africa or the Middle East, and can be bought on flea markets for very little money.
12.
Stone Age Drums:
Stone Age drums were found by Archaeologists in Southern Scandinavia, North Germany, former East Germany and Poland, they are believed to be 5000 to 5500 years old. I made a replica Stone Age Drum for Hannover, Lower-Saxony-State Museum, and gave talks there about making and playing Stone Age Drums.
13.
Drum Making:
I started drum making, because I took part in a Drumming Group, but could not afford to buy an African drum. I soon started to make Shamanic Drums in wood and ceramic.
14.
Drumming:
Most possibly the second earliest form of music making, predating modern humans.
The earliest form of music being singing. The oldest musical instrument that was found in Europe is a flute, made from the wing bone of a swan. ( aprox. 25.000 years old)
At the core of the appeal of drumming is the heartbeat of the mother, that children can react to, long before they are born.
15. Shamanic Drums:
The most common  instruments of Shamans is the drum. Shamanic Drums can be distinct from other drums by design, ornament or reputation, or just be an ordinary drum, that is used by a Shaman, for rituals.
16.
Paganism:
The religion I feel most drawn to. The faith of the Great Earth Mother and her Consort is at least 30.000 years old. How nice, that it is re-emerging during this lifetime.
17.
Witchcraft:
My preferred Pagan Religion.
18.
Shamanism:
My second best Pagan Religion.
19.
Roman God Janus:
Roman God of: Beginnings, Endings, Passages, Passage Ways, Door Ways, and Thresholds.
20.
Janus Disque:
My favourite type of relief sculpture, I developed at Art School. Shows semi-abstract face on the two sides of a stone slab, in my style of Floral Cubism.
21.
Magic Silver Jewellery:
I regularly make small batches of silver cast jewellery. Usually Silver Cast Flint Arrowheads, Silver Moon Sidles, and Silver Bolints.
22.
Silver Bolints:
Silver Cast, razor sharp sickles, for ritual use.
23.
Silver Moon Sickles: 
Moon Sickles shaped ritual knives. One of the Symbols of the Earth Mother Goddess Faith.
24.
Silver Cast Flint Arrowheads:
These Silver Castings, of a Flint Arrowhead, that I found in West-Cornwall, are powerful protective talismans, that combine the properties of a Silver Bullet, and an Elf Bolt.
25.
Lyre:
Group of aprox. 3500 year old Stringed Instruments, that no longer have a set shape or construction method. Most possibly devised as sacred musical instruments for a
Bull Cult.
I make and play Lyres.
26.
Stringed Instruments:
Musical Instruments, that use strings in their sound generation. Like Guitars, Violins, or Lyres.
27.
Lyre Music:
I play the Lyre like a Harp, that has only 8 strings, what is exactly, what a Lyre is.
28.
Music to calm Children with:
The sub-title of my CD of Lyre Music. Lyre music has a great calming effect on children.
29.
Art in the Community:
Project, that try’s to reconnect the Art Suffering Public, with art and artists.
30.
Art Suffering Public:
Most ordinary people, are quite angry and upset about modern art, that tries to sell
the Emperors New Clothes.

31.
Surrealism:
Artistic Movement, that aimed to exploit the obvious, i. e. that there is more than one reality.
32.
Fantastic Realism:
Artistic Movement, that realised that the only limit of reality is the limit of our fantasy.
33.
Floral Cubism:
My Style of Artistic Interpretation. I analyse shapes, take them apart, and reassemble them, not in spheres, rectangles and triangles like the followers of  Cubism, but in flowing, floral shapes.
34.
West-Cornwall:
The tip of the Cornish-Peninsular, and for me, the only place, to live.
35.
St. Just-in-Penwith:
Quaint former Tin-Mining Town in West-Cornwall and the place, I live. Situated in the western tip of the Cornish Peninsular.
36.
The Men-an-Tol:
An enigmatic Bronze-Age Monument out on the moorlands of West Cornwall.
37.
The Lafrowda Men-an-Tol:
My interpretation of  The Men-an-Tol, that I carved in 1995/6, and donated to the people of St. Just. As a result of this gift, many inhabitants of  St. Just wanted to throw me out of town.
38.
The Cornish-Up-Rights:
5 Granite columns each just under 6 ft. tall, that I erected at the Trevescan Riding School, on the A30. This Sculpture Row is my latest claim to fame, and gave me 5 minutes on the local BBC News program.
39.
Sculpture Row:
Row of Sculptures, that I did not put up in St. Just, but at the Cornish Main Trunk Road A30, in order not to anger the Citizens of St. Just any further.
40.
Well-Renovation:
Researching local history, I found out that until 1962/3, the people of St. Just preferred to drink Well Water, rather than Piped Water. Then within those two years, most of the 161 Springs, Wells and Water Sources, one can still find on a map of St. Just, were closed,  filled in, or abandoned. I try to re-open and renovate as many of these as possible, in an attempt to rescue some Cornish Celtic Heritage, that is disappearing before our very eyes.
41.
Well- Walks:
I conduct Well-Walks in the time of the summer holidays, to show some of the wells in the St. Just area to tourists and locals, so that they may appreciate this part of the Cornish Celtic History.
42.
Archaeology Walks:
West Cornwall’s  Archaeology has the most sites per square mile in all of the island of Great Britain. A mostly un-tapped resource for tourism. Adding Archaeology Walks to my repertoire of  Guided Walks aims to redress that.
43.
James Randi. 
A Stage Magician, and brilliant Self-Publicist, that offers 1 million US Dollars to anyone, that can prove that Para-normal Phenomena's exists. The slight of hand, that the interested members of the public do not spontaneously see, is, that anyone, that owns 1 million US Dollars, also has the financial clout to defend his money with a high class legal team. And, should he, never the less, loose his money, he will make ten times that amount from publicity.
44.
St. Just and District Trust:
A group of St. Just citizens, that try to undertake, what the town council can or will not do. I am a member, of its Well-Sub-Comity.
45.
Hannover Lower-Saxony State Museum (Niedersachsisches Landes-Museum, Hannover) has the best archeology display in Hannover. I gave talks at the Museum with Dr Stephan Veil about Stone Age Drums
46.
Furniture Making:
Out of my motto:” I want something, I make it!” I started furniture making. At the moment, its mainly ornate and ornamental chairs, like Hour Glass Chairs, and Glastonbury Chairs.
47.
Hour Glass Chairs:
Also known as: Dante-, Scissor-Chairs, or X chair I always wanted one, so I made myself one.
48.
Glastonbury Chair:
An ecclesiastical chair, held together with pegs, it originally was the kind of chair, that a church dignitary would have taken along on an inspection tour of churches. It is very comfortable. The kind of chair, you can fall asleep in during  2 o’clock in the morning mess, and not slip out of. I make some.
49.
Archaeology:
A great inspiration to me.
50.
Experimental Archaeology: My experiments in E.Archaeology E.A.Sculptures
A great inspiration to me. I got involved, making replica Stone Age Drums.
51.
Sculptures:
These days anything artistic, that involves an amount of three dimensionality.
Originally, a good sculpture was the flowing confluence of its lines of shadows
52.
Moh's Hardness 4:
The Moss Scale is a scale of hardness of different materials. It starts with Moss Hardness 1, for Tallow, and goes up to Moss Hardness 10 for Diamonds. Moss Hardness 4 is seen as the border between soft carving stones and hard carving stones.
53.
Carving Stone:
A stone, that is both soft enough to be carved, and has a smooth enough texture, to make carving it easy.
54.
Stone Carving:
My favourite form of  Sculpting.
55.
Stone Age:
A time, when it was common, to make tools out of stone.
56.
Drumming Groups:
Groups of people, commonly centred around a drumming teacher, that play drums together.
57.
The Great-Earth-Mother, and her Consort:
Allegedly the goddess and god of the earliest religion. (over 30.000 years old)
58.
Death and Re-Birth:
An ever lasting cycle, that the immortal human soul joyfully takes part in.
59.
The Stone Age Studio:
The name I have given to my fine art studio.
60.
Silver Bullet:
Projectile, that magically always hits its target.
61.
Elf Bolt:
Common name in West Cornwall for a flint arrowhead. The object, that an Elf uses as an anchor into the world of humans.
62.
Bull Cult:
Early religion, that venerated cattle, and bulls in particular. The origin of  the Lyre was as a ritual musical instrument, of a Bull Cult.
63.
Harp:
A Lyre with many strings.
64.
CD of Lyre Music:
A CD of my Lyre Music is in preparation. Title: “ Calm” . Sub-Title: “Music to calm your children with.”
65.
Artistic Interpretation:
An artist’s way of interpreting the subject of his art.
66.
Cubism:
Early 20th century art movement, that took shapes apart, analysed them, and put them back together in cubes, circles and try-angles.
67.
TV News Casts:
My art was the subject of several TV News Casts.
68.
Well-Water:
Living Water taken out of Wells. Water, that is good for Living People.
69.
Piped Water:
Water delivered by utility companies to households via pipes. Due to this, Piped Water has to be dead, at the point of delivery.
70.
Cornish Celtic Heritage:
Thing and Concepts, that are by nature: Cornish; Celtic; and Under Threat.
71.
Guided Walks:
Activity that combines walking, with meeting strangers, and listening to the ramblings of someone, that pretends to know something, about the objective of the walk. Preferably these walks include a stop-over for cream teas.
72.
Springs, Wells, and Water Sources:
Places, St. Just  towns folk used to get there living water from, before they were forced to drink dead water that comes into there homes through pipes.
73.
The “ OCocli’s.”:
Contemplating, to Stencil a longer text into Clay, I realised, that all Roman Lettering, and all Arabian Numerals are made up of  seven Glyph Fragments. Due to there shape, I call them the OCocli’s.
74.
Sculpting:
The creation of an object by an artist.
75.
Elf:
One of a whole group of otherworldly beings, such as Knockers, Brownies, Leprechauns and Piskies
76.
Traditional German Stone Masons Hammer:
1,5 Kg heavy Hammer with a narrow and slender, long, iron head, that has a very small hitting area, and brakes the bones in the hand of a Traditional German Stone Mason, when he slips off the end of the chisel.
77.
Glyphs:
Written letters or numerals. Also see Hieroglyphs and Petroglyphs
78.
Clay Tablets:
Earliest surviving material with writing on, not taking into account presumed Petroglyphs next to Stone Age Cave Paintings.
79.
Stenciling in Clay:
I was looking for a long time, to simplify the process of  stenciling longer texts in clay.
Eventually the answer came, in the realisation, that all Roman Lettering and Arabian Numerals are constructed of just 7 Glyph-Fragments, that due to there shape, I call the Ococli’s.
80.
Roman Lettering:
The type of letters, used in western Europe, in comparison to Cyrillic, or, for instance Japanese, or Chinese Pictographic writing.
81.
Arabian Numerals:
The type of numerals used nearly world wide, due to their simplicity. Unlike Roman Numerals, that are nearly useless for even simple divisions and other common mathematical operations.
82.
Glyph-Fragments:
Sub-Glyphs, Glyphs are constructed from.
83.
Hieroglyphs:
Picture writing, common in Egypt.
84.
Petroglyphs.
Mainly, Picture Writing, on Stones.( Petro= Stone )
85.
Roman Numerals:
System of writing Numerals, used throughout the Roman Empire, that does not lend itself for even simple mathematical operations.
86.
Artisan:
Craft practitioner, that is most possibly not capable of designing his own patterns in his craft.
87.
Artist:
Designer of Painting and/or Objects, that nowadays, usually, is not able, to translate his creative ideas into good craft work.
88.
Powder Metal Tipped Chisels:
Also known as Tungsten Tipped, Stone Masons Tools. Or Tungsten-Carbide Tipped Chisels,
These tools consist of a mild-steel shaft, with very hard, soldered in pieces of Powder Metal at there tip, that are able to carve into stones harder than Moh's Hardness 4.
89.
Tungsten Carbide Tipped Chisels:
Tungsten and Carbide, that would normally not melt into a metal alloy, are mixed as a powder, and then fused under great pressure, creating small but extremely hard pieces of  Powder Metal, that are hard soldered onto the tips of pieces of mild steel, thereby becoming able to be used as chisels to carve stones, harder than Moh's Hardness 4.
90.
Porphyry:
Mineralogical name, for Granite, that in its formation cooled down so slowly, that it has quite large Crystals, and therefore is difficult to carve, as it will tend to split along the borders of these crystals, when carved.
91.
Granite:
Porphyry, that cooled down so quick after its formation, deep inside the earths crust, that it was not able, to form large crystals. As a result, Granite is usually harder than Porphyry but easier to carve, as it does not have the large crystals of Porphyry.
92:
Shaman:
Practitioner of Shamanism. Only genuine, when practicing within an undisturbed aboriginal society. Once removed from an aboriginal society or in a society that was disturbed by anthropologists or missionaries, shamans and Neo-Shamans are quite often charlatans.
93.
Neo-Shamans:
Charlatans, that claim to be able to recreate shamanism, without its specific aboriginal context.
94.
Pagan Religion:
In this context, any religion, that either predates Christianity, or was not affected by Christian Missionaries.
95.
The Emperors New Clothes:
As in the fairy tale, by Hans Christian Anderson nothing, that is sold as something very special and expensive.
96.
Tele-Kinesis:
 A term coined by Parapsychology, describing a physical effect on objects from a distance that can only be explained to be caused by Para-Normal means.
97.
Telekinetic Demonstrator.
A little wheel I invented, that can be turned by the human Aura.
98.
Aura.
Amongst other things, the sum of all the Body-Electric magnetic fields, caused by the electric signals flowing through the nerves in a human body.
99.
Aura Photography.
A method to take an image of the body electric and electro-magnetic fields that are portrayed in many colours. The colours and there distribution can indicate moods, illnesses or intentions.
100.
White Light Meditations:
A form of guided meditation, I developed, that aims to change the colours of the Aura to an all healing, all pain reliving, brilliant, glistening, bright, white light.
101.
Kurt Schwitters:

Hannoverien Dada Artist, that also did ground breaking work on type setting.
102.
Parapsychology.
A science that tries to explain the unexplainable.
103.
Paranormal.
The unexplainable Parapsychology tries to explain.
104.
Vibration White Finger Syndrome.
Modern Stone Masons nearly exclusively use Compressed Air Tools (Hand hammers etc.). The vibration of these tools often damages the nerves in the hands. This leads to loss of sensation and reduced blood flow. This gave the name to this repetitive stress injury. I filled the handle of my Compressed Air Hand Hammer with lead, to increase its mass and thereby reduce recoil, and covered the handle with rubber from a tractor tyre inner tube that I sewed on with fishing line. I also padded the palm of the glove of my chisel hand with that rubber. Additionally I adjusted the amount of air my compressor delivers in such a way that I am forced to stop using my Compressed Air Hand Hammer every 10 minutes. I then use my Spherical Mace Stone Carving Hammer and my Hand Chisels, while my compressor catches its breath. This works extremely well, and does not only help avoiding Vibration White Finger Syndrome, but makes for much faster progress in my artwork, as the 1,5 kg Mace Hammer strikes a much heavier punch then my Hand hammer, and the Hand hammer has a much more regular strike than the Mace Hammer. Using both alternately, they complement each other very well, helping me work faster.
105.
Compressed Air Tools for Stone Carving (Hand hammers etc.)
These days nearly all Stone Masonry work is done with Hand held Compressed Air driven tools, smaller versions of the infamous Compressed Air Demolition Hammers. These Hand Hammers are noisy, blow the stone dust into the carver’s face, and cause Vibration White Finger Syndrome.    
106.
Stone Dust.
The Stone Dust from carving limestone and other water soluble stones is usually reabsorbed and thereby cleared away from the stone carver’s lungs. The dust from water-insoluble stones, like Soap Stone, Sand Stone, Serpentine or Granite can not be reabsorbed, and therefore causes permanent damage by clogging the bronchia in the lungs of the stone carver. Great care should therefore be taken to wear masks to prevent serious damage to the stone carver’s lungs.
107.
Sculptor:
Artist that works mainly in 3D
108.
Globular Amphora Culture:
A 5000 year old culture of people in southern Scandinavia,  East Germany, Poland and the north of  the Czech Republic, that was named after their wonderful decorated spherical or globular pots. They left a large amount pots behind that were interpreted by modern archaeologists as ceramic drums. I copied some of their drums and gave a talks at Hannover Museum about making and playing stone age drums.
109.
Udu Drum:
Drum Pot without a drum skin.
110.
Apache Fiddle:
Musical Instrument peculiar to the Native American Apache Nation and some neighbouring Native American People. It often has only one or two tensioned strings that are played by being vibrated with a stroking bow. Musicologists cannot agree if it is an instrument that was inspired by European Fiddles or if it is an original Native American Invention.
111.
Ritchety Ratchety:
Scraper/Guiro
A musical instrument of the percussion instrument group. Often with ridges, that are stroked with a stick.
112.
Spirit House:
A container prepared to house a spirit.
113.
Sami People.
A Native European People from northern Norway, Sweden, and Finland, that are supposed to be part of the original European Inhabitants, that were pushed into the northern fringe of Europe by later arrivals.
114.
Lapps:
Derogative name for the Sami People by their southerly neighbours.
114.
Limpet:
Sea snails found on most rocky seashores.
116.
Rattle:
Musical Instrument that does rattle.
117.
Amplifier:
Gismo that makes sounds or signals stronger.
118.
Meditation:
A way of focusing one’s mind.
119.
Ceramic:
Any earthy material that is changed from pliable and containing water to dry and hard, by a process of  heating until some of its constituents melt and fuse.
120.
Potters Wheel:
A turning horizontal disc, used to manufacture or even mass manufacture pottery items.
121.
Hand Coiled Pottery:
A method of making pots without a potters wheel, using coils of clay, that are fused together  by stroking the surface, until the wall of the vessels reaches coherent integrity.
122.
Altar:
Table that is often the focus of a ritual.
123.
Pot:
Hard sided Container made from metal or ceramic, i. e. Pottery. Therefore pot.
 124.
Design:
Method of construction, or shape of  ornament.
125.
Spell:
Magic formula, not unlike a prayer, that is meant to achieve something.
126.
Spirits:
The eternal essence of a deceased person. Not necessarily a human person. Some animals are supposed to have such an essence as well.
127.
Elementals:
Sprits of  the 5 elements air, fire, water, earth and spirit. Also nature spirits that are not the eternal essences of once living beings. Therefore they are entities in their own right, that are literally as old as the hills, and should not be exorcised.
128.
Exorcism.
A very nasty Christian way of doing away with Spirits that do not fit into the Christian world view.
129.
Spirit World:
The realm of  eternal essences. At least as real and divers and important as the so called real world.
130.
Tiles.
Flat often square not too large pices of stone or ceramic that combined can cover a larger area.
131.
Wall Tiling:
A form of wall cover in which the wall is covered by decorated, mostly flat and square or interlocking patented, stones or pieces of ceramic.
132.
Incense Burner:
A mostly small object to burn Incense in or on.
133.
Incense Burning Pot:
An Incense Burner made from a hard shelled material like pottery or metal. Sometimes made from shell or seed pods.
134.
Yin/Yang:
Principle of duality from eastern religious philosophy.
135.
Oil Lamp:
Light source that burns oil, often with a wick.
136.
Three Aspects:
Concept of philosophy that does not only acknowledge duality but sees three aspects or focus points, that reflect reality.
137.
Goddess:
Female deity.
138.
Maiden, Mother, Crone:
The three aspects of the Great Earth Mother Goddess.       
138:
The Seven Liberal Arts:
The knowledge all wise people should try to acquire. Martianus Capella (5th Century A.D.) lists them as: grammar, dialectic, rhetoric, geometry, arithmetic, astronomy, and music.  
139.
Meditation Tool:
Object or practise that aids Meditation.
45.
Deeper Mysteries:
Just that.
140.
Bronze Age:
A cultural period in human development in which many tools were made from Bronze, an alloy of copper and tin, that can be very hard or hard wearing, in particular when small quantities of other trace metals are added to the mix.
141.
Golden Chalice.
Archaeologists found gold chalices or gold cups all over Europe that dated from the late stone age to the early bronze age. Not that I offer a Golden Chalice, i. e. a Chalice that looks golden, rather than a chalice that is made from gold. The price should make this self explanatory.
142.
Ritual Chalice:
Pagans often use chalices in their rituals. But then though so do Christians with their cup that holds the wine in the Eucharist.
143.
Roman Goddess Figurines:
Small statues of Goddesses from the time of the Roman Empire.
144.
Celtic Venus:
A Celtic Goddess from the time of the Roman Empire, that is equated with the Roman Goddess Venus or the Greek Goddess Aphrodite.
145.
Isles of Scilly:
A small archipelago of  5 inhabited and close to 200 uninhabited Islands, 28 miles south west of the Cornish peninsula.
146.
Dea Nutrix
A Roman Goddess of fertility and nourishment, that is often depicted sitting on a wickerwork armchair, suckling two little babies at her breasts. Some claim that small figurines portraying the Dea Nutrix are actually figurines of the old Hebrew Asherat, the female consort of Jehovah, that was banned by Jewish clerics during the time of the Babylonian Exile.
147.
Asherat:
Old Hebrew Goddess that once was venerated with a cult tree in the precinct of the Temple of Solomon in Jerusalem. The big bronze vessel outside the Temple was also supposed to have been dedicated to her. She was banned by Jewish clerics around the time of the Babylonian Exile.          
 148.
The Eye of Providence:
A depiction of an Eye in a equilateral triangle, often with light shining from behind it. It appears from the early 16th Century in Christian imagery. It is also known as the Eye of God. This image can be found on the 1 US Dollar bill, and is often associated with freemasonry.
149.
Tetrahedron:
A three sided Pyramid made of  four equilateral triangles.
150.
Pyramid:
Usually four triangles on a square base. Also known as funeral monuments in ancient Egypt.
151.
Ceramic Figurines:
Small statues made from fired clay.
152.
Pentagram in Circle:
A five pointed star made up of lines in a circle. An ancient magic symbol that is used as the sign for modern witchcraft etc.
153.
Moon Metal:
In most magic systems copper and silver are supposed to be moon metals, whilst gold is supposed to be a sun metal.
154.
Moon Goddess:
Due to the similarity of the female cycle and the phases of the moon, many female Goddesses are supposed to have a good connection to the moon. Those that have this connection more than others are considered Moon Goddesses.
155.
Rune:
Letter of an ancient Germanic form of writing that is often used for divination in modern magic.
156.
Sowulo
Also Suwelo, an ancient Germanic rune that has the meaning: The Life Force. Good Health or other favourable circumstances and future harmony. Contact between the higher self and the unconscious.  
157.
Flint Arrowhead:
During the Stone Age flint was the material of choice for many stone tools, and arrowheads in particular. It is still considered a sign of good luck to find or own a flint arrowhead.
158.
St Buryan:
A Village in West-Cornwall   
159.
Lunulae.
A small piece of jewellery or a knife in the shape of the crescent moon.